What's apparent is two things: Tauer has made a stylistic shift, now reinventing classic genres (viz. Les Annees 25 Bis), and has spent his time perfecting the warm water [l'eau chaude] theme in particular with L'Eau and L'Air des Alpes Suisses, reaching perfection with Phtaloblue. What's to love? Tauer has transformed the aquatic category - dispensing with the vertical metallic amber trope and replacing it with dry tonka bean, an ambery gourmand almond-like note, and an Herbes de Provence accord achieved through lavender, sweet fennel, and other herb notes soaked in brine. The result is a work that smells like an aquatic - it keeps its essential spirit - but it is so refreshingly done and sufficiently different that it demands a spot in anyone's collection. We're confident that this is the most wonderful thing Tauer has done in years.